Set within the creative landscape of Little River during Art Basel Miami, Arc & Edge brings together the atmospheric paintings of Richard Höglund and the sculptural constructions of Cordy Ryman. The exhibition traces a conversation between surface and structure, where gesture meets geometry and nuance confronts volume.
Richard Höglund’s works from the Arc series move with slow intensity across canvas. Built through layers of mark-making, subtraction, and repetition, these paintings carry an archaeological weight, as though written in a language half-remembered. Their muted tonalities and sweeping arcs create spaces that hover between memory and inscription, evoking the timeless pursuit of meaning through abstraction.
Cordy Ryman’s sculptural assemblages extend this dialogue into three dimensions. Working with humble materials such as wood, paint, and industrial remnants, Ryman reimagines the vocabularies of Minimalism and Constructivism. His works lean into the imperfect, the playful, and the tactile. Often modular and asymmetrical, they push against walls, gather in clusters, and activate space through their physical presence as much as their chromatic surprises. Together, Höglund and Ryman create a landscape of resonance. Where Höglund’s paintings arc inward, into the realm of history and trace, Ryman’s sculptures arc outward, into structures of balance, edge, and environment.
