Cy Twombly was a seminal American artist who came of age immediately following the Abstract Expressionist generation. Born in Lexington, Virgina in 1928, his iconic large-scale paintings consisted of looping marks scribbled and smeared on raw canvas or linen. Twombly’s practice melded his interest in Roman and Greek mythological stories, including Leda and the Swan, with the frenetic doodling of chalk on a blackboard. “My line is childlike but not childish. It is very difficult to fake,” he once explained. “To get that quality you need to project yourself into the child's line. It has to be felt.”

 

The Kootz Gallery, New York, organized his first solo exhibition in 1951. At this time, his work was influenced by Kline’s black-and-white gestural Abstract Expressionism as well as by Paul Klee’s childlike imagery. In 1952, Twombly received a grant from the Virginia Museum of Fine Arts, Richmond, that enabled him to travel to North Africa, Spain, Italy, and France. On his return in 1953, he served in the army as a cryptologist. From 1955 to 1959, he worked in New York and Italy, finally settling in Rome. During this period he began to create his first abstract sculptures, which, although varied in shape and material, were always coated with white paint. In Italy, he began to work on a larger scale and distanced himself from his former Expressionist scribbles, moving toward a more literal use of text and numbers, drawing inspiration from poetry, mythology, and classical history. He subsequently created a vocabulary of various signs and marks, sometimes sexually charged, that read metaphorically rather than according to any form of traditional iconography.

 

Twombly was invited to exhibit his work at the 1964 Venice Biennale. In 1968, the Milwaukee Art Center mounted his first retrospective. The artist was honored with numerous other shows, including major retrospectives organized by Kunsthaus Zürich, Zurich (1987); Musée national d’art moderne, Centre Pompidou, Paris (1988); Museum of Modern Art, New York (1994); Pinakothek der Moderne, Munich (2006); Tate Modern, London (2008); and Art Institute of Chicago (2009).